Tales from the Loop was ranked one of the “10 Best Dystopias” by The Guardian, along with such works as Franz Kafka’s The Trial and Andrew Niccol’s Gattaca. His highly imaginative images and stories depicting illusive sci-fi phenomena in mundane, hyper-realistic Scandinavian and American landscapes have made Stålenhag one of the most sought-after visual storytellers in the world. 1984) is the internationally acclaimed author, concept designer and artist behind Tales from the Loop and Things from the Flood. The Electric State is Simon’s latest work and his first with Skybound Books, and was named an NPR Best Book of 2018.
#Simon stalenhag electric state series#
Providing a series of snapshots of an alternate Earth of yesteryear, it tells the story of how that world ended.Simon Stålenhag is the internationally lauded artist and author of Tales from the Loop and Things from the Flood, narrative art books that stunned the world with a vision of an alternate Scandinavia in the 1980s and ‘90s where technology has invaded the tranquil landscapes to form an entirely new universe of the eerie and the nostalgic. In the end, The Electric State is a striking and strangely compelling work of science fiction gothic. It seems to function similarly to the paintings, there to make an impression and evoke a purely emotional response, while providing some backstory for this dying world. There is very little in way of plot or characterization, and none of the plot questions appears to be answered overall, the story is thin and even a bit flat.
The result is bigger than the sum of its parts-paintings with narrative, postcards of the apocalypse. Find many great new & used options and get the best deals for The Electric State by Simon Stlenhag Japanese Illustration Art Book w/Track at the best. It’s an interesting reading experience, as the artwork to an extent both takes over and provides a starting point for the reader’s imagination. The paintings provide snapshots of this apocalyptic road trip and are the main event the text illustrates the paintings far more than the other way around. Simon Stålenhag’s The Electric State matches the notable Swedish artist’s futuristic digital paintings with an original story to produce an awe-inspiring vision of a species committing suicide, perhaps to be reborn as something new. And if you're anything like me, you'll take those images to bed with you for a long time and dream of Stålenhag's America - lost to sand, to drought, to war, to loneliness, and stalked always by the low, distant rumble of something terrible rising out of the earth and coming for you. Like snapshots from a horrifying past that never quite was. And when the two storylines cross, they do so in silence. On the opposite track, the history lesson becomes orders given to a mysterious man who's been following Michelle all the way to San Francisco. unwinds slowly, past, the reasons for her trip, her relationship with the little, big-headed robot revealed bit by bit. His vision of an alternate post-war, post-drought, post-human 1997 in the desert West and California. But The Electric State is Stålenhag's American book. Swedish books read joyous when they were happy, bittersweet (but rarely sorrowful) when they were not, and adventurous in between. Feels like something brought back from a nightmare.
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